Locomotion Sponsors Best New Director at UK MVA 2010

Locomotions Christian Williamson takes to the stage to present the Best New Director award to Ben Newman whose videos for Example, Wiley, and Roots Manuva have earned him great acclaim.

Animated Building Projection for V&A Museum – Diaghilev and the Golden Age of the Ballets Russes

Credits:
Animator/ Editor: Miland Suman
Development: Alex Hare
Executive Producer: Chris McKeeman
Projection: Des O’Leary & Angus Dunwoody Dun
Music: Stravinsky’s The Firebird

Video Focus – Final Cut Pro Magazine, interview May 2010.

Locomotion pioneers a new format for CBBC

Now you have a great reason to watch TV on Thursday afternoons!

Little Howard’s Big Question, a new BBC Childrens TV show premieres tonight, 8th January, at 4.30  on BBC1 and brings comedy live act Big Howard and Little Howard to the small screen with a unique blend of animation and live action.

The 13 x 28 minute programmes feature the cheeky 2D character of Little Howard as he interacts with people and places in his quest to find answers to his questions.

Little Howard’s Big Question examines the questions that children most want answered such as ‘could the dinosaurs ever return?’, ‘how will I know when I’ve fallen in love?’ and ‘can I believe my eyes?’. The show takes the form of a road movie in which Big Howard played by Howard Read is accompanied in the real world by his animated side kick, six-year old Little Howard. The production uses Flash to animate Howard’s 2D characters which are then composited into live action sequences filmed on location.

With responsibility for post production, animation and visual effects, Locomotion worked closely with comedian and animator Howard Read and the CBBC Production team to create the 2D  character of Little Howard in Flash and bring him to life.

Locomotion beat numerous  other post houses to the ambitious project and won on the strength of the team’s technical expertise, capabilites, workflow and enthusiasm for the project.

Post Production Producer and MD, Danny Coster, and Editors Anuree  De Silva  and Scott Flyger, worked with Read to develop the character and each programme features 20-25 minutes of animation. Under supervision Locomotion’s VFX Director Lars Magnus Holmgren, the team of animators and compositors developed the 2D animations in Flash, After Effects, Shake and Boujou.

Shot in DVCam, Locomotion ingested all footage using their 4 Gb SAN network at broadcast resolution, enabling the compositors and editors to work in tandem at online quality throughout the project.

Says Peter Davies, Executive Producer at the CBBC, ‘Producing Little Howard for CBBC has meant breaking new ground from inception to delivery. We’ve had to write the manual from scratch for how to make a live action factual comedy featuring a six year old animated boy. We couldn’t have done this without a facility house with unique skills’.

Credits
The series is written by Howard Read and Chris Chantler.
Peter Davies – Executive Producer BBC Children’s
Vanessa Frances – Series Producer
Dermot Canterbury and Bruce Webb – Directors

Locomotion – Post Production Partner
Dan Coster – Post Production & VFX Supervisor
Lars Holmgren – VFX Supervisor
Jen Reznick – Line Producer
Petria Whelan – Flash Animator
Scott Flyger and Anuree De Silva – Off-line Editors
Lee Bamsey, Miland Suman, Alex Hare and Martin Macdonald – Compositing, Grading and On-line Editing

Turning It Up for The Feeling

Now that The Feeling’s promo for their latest single ‘Turn It Up’ is on MTV, we’re free to shout about the magic…

With a vision to create a decadent ‘carnival of life’ that parades past as the band plays, complete with revelers,  balloons and streamers, Director Caswell Coggins needed to enhance the party scenes and Crossroad Production’s turned to our VFX team for help. 

Senior 3D Artist Tony Lee and senior editor Lee Bamsey advised during pre-planning and supervised the setting of VFX shots on location.

Once back in our studio Tony worked closely with Coggins to enhance the colorful crowd scenes by duplicating crowd shots and compositing in After Effects to bring the throng to life and create a sense of hugeness to the end hero shots.

Tony also built additional balloons in 3D using Lightwave particle system to recreate the dynamics of falling balloons, adding texture and lighting to match the real ones from the shoot, and interaction when they landed near people. Further layers of 3D confetti and streamers were also generated using the same software. Finally, all elements were composited into the shots and graded to achieve the final effect the Director was looking for.

The video was edited at Marshall Street Editing and then conformed here at Locomotion by our Senior Editor Lee Bamsey in Final Cut Pro.

Check it out here…