New Venture for Locomotion and Dirty Looks

Tom Balkwill, formerly of FilmLight, has partnered with Soho creative house Locomotion in an exciting new joint venture. Continuing from his success grading award winning UK indie films Skeletons and Starsuckers, Balkwill has launched new company Dirty Looks, a Baselight colour grading suite within Locomotion’s Soho premises, with facilities for high-end boutique finishing.

This new partnership provides a welcome addition to Locomotion’s facilities, and we are excited to be expanding into the feature film market by strengthening our Digital Intermediate (DI) and 3D Stereoscopic capabilities. Dirty Looks will provide commercials and film grading, 3D stereoscopic post production, cinema mastering and assist new film makers with digital dailies.

He says of this new venture, “I am delighted to have partnered up with Locomotion and am looking forward to expanding my repertoire to include commercials as well as features and TV. I am pleased that the venture has taken off so well. They are a great team to work with.”

Tom Balkwill has worked with many leading colourists including Mick Vincent and Adam Glassman and has unparalleled understanding of Baselight. Since setting up Dirty Looks, his most recent projects include doing Phantom digital dailies work for the new Sherlock Holmes movie, as well as grading a commercial for Armani, shot and grade attended by Nick Knight, OBE.

Chris McKeeman, Executive Producer at Locomotion adds  “Since our MBO earlier this year, Locomotion have gone from strength to strength. The addition of Baselight, combined with Tom’s talent and experience in independent features brings a great new dimension to Locomotion’s creative offering.”

For more information about FilmLight, click here.

To view the trailer for Skeletons, click here.

For more information on the Sherlock Holmes Sequel, click here.

To view further credits for Tom Balkwill on his IMDB page, click here.

To view the Dirty Looks website, click here.

 

Locomotion pioneers a new format for CBBC

Now you have a great reason to watch TV on Thursday afternoons!

Little Howard’s Big Question, a new BBC Childrens TV show premieres tonight, 8th January, at 4.30  on BBC1 and brings comedy live act Big Howard and Little Howard to the small screen with a unique blend of animation and live action.

The 13 x 28 minute programmes feature the cheeky 2D character of Little Howard as he interacts with people and places in his quest to find answers to his questions.

Little Howard’s Big Question examines the questions that children most want answered such as ‘could the dinosaurs ever return?’, ‘how will I know when I’ve fallen in love?’ and ‘can I believe my eyes?’. The show takes the form of a road movie in which Big Howard played by Howard Read is accompanied in the real world by his animated side kick, six-year old Little Howard. The production uses Flash to animate Howard’s 2D characters which are then composited into live action sequences filmed on location.

With responsibility for post production, animation and visual effects, Locomotion worked closely with comedian and animator Howard Read and the CBBC Production team to create the 2D  character of Little Howard in Flash and bring him to life.

Locomotion beat numerous  other post houses to the ambitious project and won on the strength of the team’s technical expertise, capabilites, workflow and enthusiasm for the project.

Post Production Producer and MD, Danny Coster, and Editors Anuree  De Silva  and Scott Flyger, worked with Read to develop the character and each programme features 20-25 minutes of animation. Under supervision Locomotion’s VFX Director Lars Magnus Holmgren, the team of animators and compositors developed the 2D animations in Flash, After Effects, Shake and Boujou.

Shot in DVCam, Locomotion ingested all footage using their 4 Gb SAN network at broadcast resolution, enabling the compositors and editors to work in tandem at online quality throughout the project.

Says Peter Davies, Executive Producer at the CBBC, ‘Producing Little Howard for CBBC has meant breaking new ground from inception to delivery. We’ve had to write the manual from scratch for how to make a live action factual comedy featuring a six year old animated boy. We couldn’t have done this without a facility house with unique skills’.

Credits
The series is written by Howard Read and Chris Chantler.
Peter Davies – Executive Producer BBC Children’s
Vanessa Frances – Series Producer
Dermot Canterbury and Bruce Webb – Directors

Locomotion – Post Production Partner
Dan Coster – Post Production & VFX Supervisor
Lars Holmgren – VFX Supervisor
Jen Reznick – Line Producer
Petria Whelan – Flash Animator
Scott Flyger and Anuree De Silva – Off-line Editors
Lee Bamsey, Miland Suman, Alex Hare and Martin Macdonald – Compositing, Grading and On-line Editing